This Insight looks at the temporary exhibition “We Capitalists. From Zero to Turbo” at the Bundeskunsthalle in Bonn, Germany, which was opened on 12 March 2020 and closed again two days later. The experience of lockdown was also sadly felt as a loss of voice, especially as the exhibition had the potential to serve as a meaningful commentary to aspects of the evolving COVID-19 crisis. This period of speechlessness clearly exemplified how exhibitions can or cannot be active, bringing the medium of the exhibition to its limits.
As museums around the world have increasingly committed to making themselves digitally accessible to the public during lockdown, we have been flooded by new cultural content available online. While Italian museums have been mainly involved in a “broadcasting” approach, museums in other countries have strived to enable new and different engagement with audiences. What do these two approaches tell us about the roles museums want to fulfil and the relationship they want to create with their communities?
The last decade has seen a growing interest amongst museum professionals in developing a curatorial practice grounded in affect. In this Insight, Susana Sanchez-Gonzalez reflects on possible currents of affection that might be elicited by books during the pandemic, and how this may inform her research on the theory and practice of book exhibitions.