Marginalised LGBTQ+ people find community and connection through shared spaces and hidden networks, navigating existing heteronormative cultures and norms. These places (physical and virtual) are where we find chosen family, a sense of belonging and home.
Blogs
Seeing Objects from a Safe Distance
We often refer to the ‘texture’, the ‘materiality’ and the ‘tactility’ of artworks, even though we cannot touch them. Florrie Badley considers the additional barriers facing object-based researchers due to the outbreak of COVID-19, reflecting on how we were already responding to issues of distance, separation and forbidden touch in the gallery space before the pandemic.
Museums & Memes – 2
This week’ s expanding brain meme was inspired by Helen Rees Leahy’s post on Cultural Access and the ‘New Normal’. Even though Museums can be perceived as “accessible culture”, they have also been pointed out as a centre of exclusion at different levels. During […]
Exhibitions, Emotions, and the Books of the Pandemic
The last decade has seen a growing interest amongst museum professionals in developing a curatorial practice grounded in affect. In this Insight, Susana Sanchez-Gonzalez reflects on possible currents of affection that might be elicited by books during the pandemic, and how this may inform her research on the theory and practice of book exhibitions.
Remembering 22/5/2017
Jenny Marsden reflects on the work that has taken place with the Manchester Together Archive over the last 18 months, focusing on the volunteering programme to catalogue and digitise the material, and the visits and workshops that have helped the archive team understand more about how people would like to access and use the tributes in the archive. The insight also considers the public response to the Manchester Attack in 2017 in the context of the COVID-19 global pandemic.
Curating the S(h)elf: Collecting and Displaying Objects in Times of Uncertainty
Marion Endt-Jones reflects on collections created by artists in times of personal uncertainty and crisis, as reconstitutions of self and identity through objects. What can these private ‘museums’ tell us about ways we engage with objects and collections at home during lockdown?
Museums & Memes -1
This post is inspired by a recent conversation on a #DrinkingAboutMuseums chat, during which one of the participants shared their guilt of not producing a virtual tour for their institution. The group had been discussing an article posted by Museum Hack that noted […]
How South Korea is Reopening its Museums after Lockdown
Under the new norm of ‘social distancing’, cultural institutions around the world are facing one of the biggest challenges in their history. In South Korea, museums and art galleries have been allowed to open their doors after two months of shutdown as a result of the decreasing number of newly reported COVID-19 cases. Hyewon CHOI reports on how museums in South Korea have maintained engagement with audiences during lockdown, and how they are preparing to reopen their doors to visitors.
Manchester Camerata: exploring the future of orchestral music
Rebecca Parnell reflects on Manchester Camerata’s planned programme of live activity and discusses the orchestra’s commitment to research and the possible digital future of orchestral concerts.
Cultural Access and the ‘New Normal’
Helen Rees Leahy discusses the politics and provision of cultural access during and after the Coronavirus lockdown. Her focus is on museums in the UK and the challenges they face in ensuring and expanding equitable access in a society that is both united by the experience of the pandemic and also divided by inequalities of health, space, time and wealth.
Finding Value in the Challenges of COVID-19
Frances Liddell asks what researchers can do to help the museum sector during COVID-19. In considering the materials created by museums during lockdown, she finds that her question could be answered through exploring the vast amounts of content available online.
The value of parks in everyday lockdown
Abi Gilmore considers how the COVID-19 crisis is shaping cultural participation and the practicing of public space in urban parks. She reflects on how it is also reshaping a current research and public engagement project in a Manchester park, Platt Fields, and its co-located museum, Platt Hall.
What collecting spontaneous memorials can tell us about collecting COVID-19 – Part I
Kostas Arvanitis reflects on what collecting spontaneous memorials after traumatic events, such as terrorist attacks, can tell us about collecting (experiences of) COVID-19 and life under lockdown.